Blog about Russia, Soviet Union, Olympics and artistic gymnastics. News and interviews on gymnastics champions, coaches and competitions.

Monday, January 14, 2013

Viktoria Komova - Happy Birthday!

Viktoria Komova, born 30th January 1995, celebrates her birthday today.  Happy Birthday, Viktoria! Have a lovely day.

Time to revisit a picture gallery posted last year ... amd to hope for a good year for Viktoria and her fans.


I was doing something far more important, researching an article, when these pictures of Viktoria Komova  caught my eye.

They are far from the standard gymnastics pictures of gymnasts celebrating, commiserating, or caught in the midst of their most graceful pose.  Not the best, most aesthetic images to view.  When looking at pictures of gymnasts I am often conscious of selecting the ones taken from the most flattering angle, avoiding the shot with the bent legs, the out of control arms. I took a different viewpoint here, choosing Komova at the most stressed, the least stagey point of her work.  These pictures capture Komova in flight, in the height of motion and effort.  There is no contrivance to them, no trained pose or pause to impress the judges. 

Viktoria Komova is a rare gymnast, classical in style and execution.  Her national heritage of ballet, her family heritage of the best of sport is visible in her posture and carriage.  Every single move, from a simple leap or transition to the most complex of somersault, is performed with absolute amplitude, her line sharp and clear.  Besides her own special talent, it is the result of the meticulous attention of a choreographer from the earliest days of her career.  It is gymnastics that pays respect to a broader culture of movement that is recognisable in other art forms, such as dance.  Such gymnastics renders a Code of Points useless if it can only differentiate by means of execution deductions and difficulty value. 

Komova is the best gymnast in the world, and has been for the past two years.  She is not always the best competitor, but then the judges make too many mistakes.  Hopefully, in 2013 they will finally get it right at the third time of asking, and beyond.

During her Jaeger somersault on bars

Concentrated on the bars

In the middle of a side somersault on beam
A tricky turn on floor, toe point despite the heavy strapping
In full flight, at the height of effort, twisting over the vault
A simple pose becomes a work of art
Chalk flies as Komova catches the bar
At full stretch, beyond 90 degrees
Those troublesome feet and ankles ... 2011
Another shot of the side somersault
At full stretch ... Viktoria Komova
 You can view more fantastic pictures of the gymnasts at the RIA Novosti Media Gallery.

Tuesday, January 8, 2013

Aliya Mustafina - 'My family do not worship sports'

Matthew Hicks translates this 28th December interview with Aliya Mustafina, from Novaya Gazeta.




The last year more than compensated for all that Aliya went through in the year leading up to the Olympics in London � a serious injury, surgery and a long recovery. Not surprisingly, Aliya won Sportswoman of 2012 at a post-Olympic Kremlin-hosted ball. Novaya Gazetainterviewed the champion:

NG: Aliya, back in London, responding on the significance of your victory, you spoke that your greatest achievement is yet to come.

AM: I�m simply a sportswoman, a normal person. In the real world, I�m a nobody. In gymnastics, yes Olympic Champion, but in everyday life I�m just another person...like in school studies

NG: Do you study sports?

AM: No, I am at the Gubkin Oil and Gas Institute, in the economics and management department. I�ve always liked exact sciences. At school, physics and mathematics are my favorite subjects. They come easiest to me, probably because I�m most interested in them. Some people say physics in not interesting. But is it not interesting, for example, to understand how the laws of nature work?

NG: Your mom is a physics teacher. Perhaps it�s in the genes?

AM: Maybe. We haven�t even studied physics in my grade, yet my mom is already reading me advanced books on the subject.

NG: The girls on the team say that you can calculate all the results from the competitions in your head. Is that true?

AM: Well, not exactly. Katya Kurbatova was also on the team that won World�s and she is also excellent at math.

NG: Aliya, admit it, you�ve cried more this past year than ever before in your life!

AM: Not any more.

NG: The recovery process after that injury took almost an entire year?

AM: Yes and it tested me greatly. It changed me, externally and internally. I rose to the occasion and began to work in a different way on all events. The old me was like a child. After the injury I became an adult.

NG: That�s gymnastics ...

AM: And it�s also like that in life. I realized that because of my goals I didn�t have a right to give up, no matter how hard things got. The goal was to get to the Olympic Games. And not to just get there, but to help the team win a medal. Then can come the tears.

AG: In all the competitions that you competed in, tell us about how you compete.

AM: I always try not to think about the excess�the main thing is to do your job. How well we each do, that will be the final result. I understood that when we won the world championships. We felt that we could beat anybody. The excitement remained, and I didn�t want to stop there. When I was recovering from surgery, I watched all the competitions. I didn�t panic. Nobody was doing anything that I couldn�t handle. Of course the responsibilities of the Olympics were greater than other meets. The Olympics don�t come along everyday, and not everyone gets there. I cannot say that that responsibility came lightly. In my mind I told myself to simply do my job, and that was all. I worked for 12 years to lay it on the line on the Olympic stage. Six months before the Olympics I was still far from being in gold medal form. It was tough to force myself to work hard, and the doubt that I could make it constantly surrounded me.

AG: Sometimes it seemed as though you�d never make it?

AM: Yes. Sometimes it seemed like I could do no more; like I wanted to give up. But such thoughts came quickly and vanished just as quickly. I understood that I had to suffer to get to the Games. Once I got there things would be easier.

AG: Did your family support you?

AM: We have a normal family and don�t worship sports. But it is understood that sport is important in life � my father was a 1976 Olympic Bronze Medalist in Greco-Roman wrestling � but he didn�t force his goals on me. Only sometimes when I was little would he say, �Come on Aliya, you need to train hard to become world champion.� But I�m not sure whether he just said that or actually meant it. Mom and dad did not sit for hours in the gym, like many parents do when their children start gymnastics. My parents knew that in sport I could learn about all of life�s difficulties. They respect my decisions. Even if I wanted to be done with gymnastics, they know it would be useless to try and discourage me.

AG: The status of being a leader can be great but also has its obligations. The girls on the team are like a family. Has anything changed?

AM: I don�t even think about that. A leader is someone who competes well at all meets. But when we train, we�re all the same. I don�t carry around a big head. When I became world champion two years ago, I wondered if things would change within me. They didn�t. Achieving something earth-shattering didn�t change anything. My pride comes from my soul, from within myself. I say to myself, �there�s the event, now go work.� I became an Olympic Champion, my dream came true, good job, but why should that change me? I don�t have any different friends now than I did before the Games. The ones who supported me before are still here, not complaining.

AG: Well, all the same, Aliya, Olympic Champion, were you born like this or did you work for it?

AM: A lot of desire and hard work got me here. How can you become Olympic Champion if you sit around and do nothing?

AG: It is often said that champions have a character of iron.

AM: Well yes. I compact myself into a fist of iron and compete like that, like I did in Rotterdam and in London on the bars.

AG: You seem like a pretty relaxed, low-key person.

AM: Well, it just looks that way (laughs). Am I outgoing? Probably. More yes than no. But I like to hang out with my friends and have fun and be the center of attention. But I don�t really like being in a big crowd of people.

AG: Will you try for another Olympic cycle?

AM: I really want it. I�ll certainly try...


With many thanks to Matthew for his work!

Monday, December 31, 2012

Lupita reports ... Alexander Alexandrov will stay in Russia

Alexandr Alexandrov, former Russian national gymnastics coach,  stated that, most probably, he�ll stay in Russia and will train Olympic champion ?liya Mustafina further.
 
The Ministry has asked me to stay, with the same salary I was earning. Some people want me to be in the team, so I rather think I�ll stay in Russia. At some meetings, some people expressed their claims against me. I don�t know if they were right or wrong. Time will tell.

I was offered to work abroad, but I told them to wait. I was born in Moscow, I grew up and I spent all my life here. Only if something doesn�t turn right, then... I�m not 15. I went abroad only because I was obliged to, when everything collapsed. 

All this concerned Mustafina, as if she was to blame because she didn�t train well in the team. I don�t understand. If someone doesn�t train well, how can this affect the rest? We�re not a football team, where, because of someone, everything can go wrong. Could she influence someone, all the more she had such a difficult year, � explained Alexandrov to �?-?????�.

Link to Russian language report.

Thursday, December 20, 2012

London 2012 ticketing report


The organising committee of the London Olympics (LOCOG) has finally published full details of ticketing at the Olympic Games, including how many were eventually sold to the public rather than given away to sponsors and dignitaries, and how many tickets were available in each price category.

Despite the fact that the public and press have been baying and begging for this information for most of the past year, LOCOG have chosen to publish their report as quietly as possible, without any accompanying press releases or events, and right upon the cusp of Christmas, at the same time as the UK media is sizzling with news stories left, right and centre.  Almost as though they would like to keep some of the facts as quiet as possible; after all, they have managed to convince us that the Games were an immense success.

Which, in the main, I agree with.  I don't want to say goodbye to 2012; the Olympics brought much happy spirit to the city of London and its people, and I don't think Londoners will ever be the same again.

That happy spirit wasn't about the ticketing, though.  While I was delighted to secure my one Olympic ticket, to the WAG qualifying, at 10.30 on the night before the competition (it was a lifelong ambition realised)  I was less pleased to see all the empty seats around me, knowing how many of my friends would have given an arm and a leg to be there if only they could have managed to navigate the many barriers that were put in their way and which made obtaining tickets far too difficult for the majority.  I have never before seen regiments of soldiers occupying whole sections of a gymnastics arena.  LOCOG does not mention its somewhat desperate rent a crowd efforts designed to make relatively empty arenas look full, and indeed we are now hearing about 'sell out' events.  This may be true of certain sports, but not of the gymnastics.  You just had to use your eyes to see this.

Of course, having all the data available isn't necessarily a good thing as it's rather indigestible and difficult to interpret.  I need some time to print out the key sections and read them properly, to avoid misrepresenting what is there.  There are some apparently simple data: overall, 59% of tickets for the artistic gymnastics were sold to the public; I find this a surprisingly high percentage but that is what the figures say.  I have, however, noticed that for certain events, in certain price categories, the figure comes down to as low as 35%.  In other words, you might say, about two thirds of these tickets were given away to sponsors and dignitaries, presumably the top priced tickets for the premium finals, which might explain why there were so many empty seats visible on our TV screens, even towards the end of the competition. 

The, there are the unfathomables : for example, were rent-a-crowd counted as sold, or unsold? Are all these statistics strictly accurate? I remain convinced that there was an almighty balls-up in the initial ballot that left so many of us disappointed.  Ticketing will remain a thorn in the side of the London Olympic Games. 

I'm still very glad I managed to be there, though.

Monday, December 17, 2012

2012 Voronin Cup ... picture gallery

The Russian Gymnastics Federation has a gallery of Elena Mikhailova's excellent photographs of the Voronin Cup. 

You can view a selection of the edited highlights at RRG's Facebook page.  There are some stunning photographs of Anna Dementyeva in particular.

All around Voronin Cup champion performing at the Voronin Cup this weekend.  Courtesy RGF

2012 Voronin Cup MAG results

Junior champion on floor, Artur Dalolyan


You will find full results at the Russian Gymnastics Federation's website.  Highlights are reproduced below.


















Junior MAG All Around



Miscellaneous all around senior results (place 21 onwards; edited highlights)

 

Full team results can be found here (junior) and here (senior).

Apparatus finals

Junior men

Floor


Pommel horse

 
Rings

 Vault

Vault scores are not available at the moment.

Parallel Bars

 High Bar


Senior men

Floor

Pommel horse

Rings


Vault
Results not available at present

Parallel Bars

High Bar









 

WAG Voronin Cup results, 2012

Fan favourite Anna Dementyeva took three golds in Moscow this December

The Russian Gymnastics Federation has now published the full results of this competition which I will  reproduce below (WAG first, MAG in a separate post).

I think the most significant outcomes are the junior women where Evgeniya Shelgunova, who turns senior next year, took the gold in the all around and beam.  Maria Kharenkova, who will train with the seniors next year but won't have senior competitive eligibility till 2014, also rounded out the year nicely with a silver in the all around and a the gold medal on floor.

It is good to see Dementyeva pick up some gold (gold all around in the senior competition, and gold on bars and beam where she scored 15.6 with an SV of 6.6).  With Anna Pavlova taking silver in the all around and golds on floor and vault, this must have been a pretty competition to watch.  Olympic team members Komova and Mustafina were present and appeared on individual apparatus, though as exhibition performances.  I wonder though why Moscow-based Anastasia Grishina did not compete?

Qualifications/all around, junior women



WAG Senior All Around competition


Master of Sports competition, WAG All Around


Junior WAG individual event finals
Vault


Uneven Bars

Beam


Floor

Senior WAG Individual Event Finals

Vault

Uneven bars

 
Beam


 Floor


You can find the team competition results here.

Monday, December 3, 2012

DTB Cup results and video links

Russian WAG at Stuttgart this weekend : national coach Evgeny Grebenkin, Aliya Mustafina, Yulia Inshina, Anna Rodionova, Kristina Goryunova.  Can anyone identify the coach to the right?  Picture courtesy of Schwaebischer Turnerbund on Facebook.
The Russian WAG team had a good time at this weekend's DTB Cup in Stuttgart, finishing in first place.  It is good to see the girls competing well in a friendly, despite some setbacks.  Anna Rodionova suffered an injury on bars in the final and had to retire from the competition, leaving Aliya Mustafina to pick up responsibility on vault (full twisting Yurchenko) and Yulia Inshina to perform on floor.  Kristina Goryunova, freshly restored to the national team after completing an enforced break due to a doping infringement, did some good work on beam.

In the WAG all around, the USA's Elizabeth Price took the gold.  She reminds me of Alexandra Raisman, all power and energy, but look around for photographs of her in flight, all booty feet and bent legs.  It's a terrible indictment of international standards and the Code of Points that, as Rick says on Gymnastics Coaching, Elizabeth is probably the strongest international competing currently, what with the leading Olympians taking breaks from full training. He thinks she could have taken gold medals in London ...

Russia's representative, the hard working Goryunova, finished in seventh with a disappointing score on beam; but she would not have finished higher than fifth at best.  (Rumour has it that Goryunova substituted for Anna Dementieva in the all around, who found she could not travel at the last minute because of visa complications, though I do not understand why the unfortunate Dementieva should be the only one to be unable to secure a visa ...).

In the MAG team competition the Russian men finished second behind Japan, but ahead of Great Britain, counting some fantastic scores from star Denis Ablyazin, but still showing a shocking weakness on pommel horse.  

David Belyavski took the bronze in the men's competition all around behind Germany's Marcel Nguyen and Britain's Daniel Purvis.  Almost incidentally, but very sadly, Phillipe Boy announced his retirement from international gymnastics this weekend.  I will miss him.

You can access the original of this document here.

TamTam1982 has some videos from the competition.

Aliya Mustafina: straight Yurchenko



Aliya Mustafina : beam



Aliya Mustafina : bars




Is Mustafina nursing her leg during that dismount on beam and on vault? 

GymPower has a wider range of video available:

Anna Rodionova floor (qualifications)



Kristina Goryunova balance beam (quals)

Lupita translates : Nelli Kim interview (November 2012)



Lupita translates a recent Sports Panorama interview:

Nelli Kim: triple back on floor

Nelli Kim at the USSR Display, Wembley, London, 1979.  Courtesy of Finyo.

She considers herself Belarussian, although she lived in Kazakhstan until 1977 and now resides in Belarus, the US and Switzerland.  To be more precise, Nelli Kim has no home in the country of watches, banks and cheese, where she spends many months every year.  Yet, her soul is in Belarus, whose colours she defended during the last years of her fabulous gymnastics career.  Five time Olympic champion and world champion, she was recently in Minsk to brief Belarussian specialists on the new aspects of the next Code of Points.
� The Code of Points will be enacted in 2013. The judges will receive new categories, she explained. I decided to come first to Minsk. To whom do I have to explain the nuances of the new Code other than Belarussian specialists?  I�ll meet with coaches and judges; we�ll talk about new trends in artistic gymnastics during the new quad. It�s a pleasure to meet again people with whom I have spent so many years in sport. Every one of my visits is not only work, but satisfaction from meeting people significant to me. 
In October you were re-elected for the third time as President of the FIG Technical Committee �
� Yes, for the next four years I will be the President of the Women�s Technical Committee. I�ll be responsible for the Olympic competitions, the World Championships, the Code of Points , the judging, the assessment of the judges� scores at tournaments, sanctioning judges.
� Could you be more precise on this last topic?
� My function is to supervise the scores of a gymnast�s routine. At the end of any championship, we gather and, after a computer assessment, we score the judging of every judge. If someone has not worked well, we sanction her with a red card and we suspend her from the next championships.
� As far as I know, the suspension of a judge is not an easy proceeding. The Disciplinary Commission interferes.
� It is created within the framework of the FIG and comprises three jurists and three gymnastics specialists. We tell them our conclusions and the members of the commission decide upon a judge.  We are amateurs. It�s not about business; it�s sport in an amateur sense.
� Do suspensions happen often?
� After the 2011 World Championships in Tokyo, two judges were suspended. One of them was a Romanian who won an Olympic medal. The Committee decided to suspend them for the London Olympics. Moreover, they will not be allowed to participate in the intercontinental course next year. They will not obtain the D elite category responsible for the most important tournaments.
� What is this intercontinental course about?
� The course will present the new guidelines in judging, that we�ll start applying in the new quad, including the 2016 Olympics. All the concerned persons, indlueint the Belarussian judges as well, must take the course, sit for exams and obtain a judging category. There is now a fight to take part in this process, to influence the trends in gymnastics.
� Could you share with us the innovations in judging [the new Code of Points]?
� We shifted some elements from one group to another, depending on their popularity in the competitions. If an element is often performed, it�s not difficult and it should score less. And, on the contrary, if it is less performed, it means it�s difficult and deserves more points. We pay attention to connections, and still to artistry. We plan to introduce big deductions in floor and beam. We invited representatives from Cirque du Soleil, who trained our specialists how to understand and assess artistry. ?his happens for the first time. Never have there been so many deductions in this direction. The understanding of art, of music by the judges is more necessary than ever. But there is subjectivism and there will be. Everyone interprets beauty in their own way. But we�ll try to assess something subjective with objective criteria.
� How is that?
� You�ll agree with me that a part of artistry is the body�s position, a music well-suited to the routine, fluid transitions from one part of the routine to the next.
� Don�t you think that sometimes gymnastics competitions become a noisy mess. The audience, not pleased with the scores, create a real scandal. Under their influence, the judges meet, change the scores, and the winners change.
� At the last Olympics, this happened in the men�s competition, when a Ukrainian gymnast lost bronze in a pommel horse routine. Men�s judges have more serious problems than we have because there�s less control over the judges.
The men�s Technical Committee was chaired by Adrian Stoica, from Romania, but he decided to stand as a candidate for President of the FIG and lost. Bruno Grandi was re-elected for the fifth time. Later, Stoica was candidate for the Men�s Technical Committee, but he lost again. The president of the men�s committee is Steve Butcher, the first black president in the history of the FIG.
� To come back to the scores in gymnastics, skating officials have found a way out by including a system of points for the execution of an element, for the level of complexity.
� We have the same system as skating, yet I think that their approach is not good. They drop scores that help assess the situation. We rule out the lowest and the highest scores and we take into account the average scores. They can rule out these scores and keep the highest and the lowest.
What we have in common with ice-skating is that the difficulty elements are classified according to a group from �?� t? �G�, ?nd now we have also included �H�. In the score this is reflected by 0.1 to 0.7, and now 0.8. If gymnasts do a triple back on floor, and, of course, land on their feet, they can get the highest bonus.
So far the women don�t go for this extreme, while the men have been doing this for a long time. When they competed, Valeri Liukin and Sergei Kharkov performed those elements excellently!
� Apart from the seminar, you had time to meet Vladimir Karpovich, President of the Belarussian Gymnastics Federation.
� The unforgettable Vladimir Ilich [Lenin] once said that personnel solve everything. This statement is still true today. If there are no coaches, even with the best equipment, there won�t be results. The passion for gymnastics exists in the Belarussian, Russian and Ukrainian peoples. After finishing their careers, many athletes became good coaches. Right now, most of them former Soviet citizens, are coaching our rivals in the US, ?ustralia, Canada, France. Salaries abroad are from 3,000 to 5,000 US dollars!
I was pleased to see that the president of the Association fiercely wants to help gymnastics, He wishes to know my opinion in order to improve the situation. Our meeting was very fruitful.
� Your daughter lives in the US. Where are you more often, in Belarus or in the States?
� Half and half. My ex-husband is a cyclist, Valeri Movchan, a Moscow Olympics champion. He lives in Minsk. My daughter finished her studies at a business school in Chicago and she now wants to study medicine. However, she doesn�t give up amateur sport; she practices different activities.

?ikhail DUBITSKI


This interview took place before recent rumours that the WAG Code of Points will change once again before enactment in 2013, leading to ten skills counting on floor, in order to harmonize with the MAG Code of Points.

I like what Nelli says about artistry in this interview - doubt the judges would be willing or capable of enacting it all fully but the ideas of involving specialists to help train judges in the appreciation of artistry, of the importance of transition from skill to skill, of acknowledging the subjectivity of judgement, seem to be steps in the right direction.  

But then my heart sank when I read of the proposed changes.  Counting ten difficulties on floor, and four dance elements, seems regressive.  Do we want our floor routines to turn into a frantic battle to fit in as many poorly executed tumbles, turns and leaps as quantitatively possible, without consideration of mood, feeling or flow?   Will the music become a mere incidental, background accompaniment, robbed of any significance or relation to the drama of a performance?  If the FIG feels the need to harmonize, why not decrease the number of difficulties in men's gymnastics and emphasise there also the need for artistry and virtuosity?

What do you think?  Please comment ...